The Enemy of Average! Wild Surfwear- USA Made / Tuesday Art ATTACK

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Tuesday Art ATTACK- Teresa Burga "Self-Portrait (1972)"



By Christian Franzen

Teresa Burga was born in Iquitos, Peru in 1935. She is a contemporary multimedia artist that lead the pack in the emerging areas of media, technology, and installation based art in Peru. 

Burga studied art at the Pontifical Catholic University of Peru, from which she graduated in 1964 and went on to receive her MFA at the Art Institute of Chicago thanks to a Fulbright Grant.

Throughout the 1960's, Burga was associated with the artist collective in Peru known as Arte Nuevo. This group launched the Peruvian art scene into contemporary context by mixing the avant-garde styles of the time with a Peruvian attitude. In the early 1970's, Peru fell under the power of a military government lead by General Juan Velasco Alvarado. Under his regime her experimental art practice was deemed undesirable. This made it nearly impossible for Burga to exhibit work in Peru so she resorted to showing her work throughout the United States and Mexico. 

During the second wave of feminism in Latin American countries in the early 1980's, Burga began a multidisciplinary investigation into the status of women across Peru. This is considered the most accomplished work of her career. It was shown throughout almost all of the South American countries and all of her research was repackaged into a self published book.
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Tuesday Art ATTACK- Joost Schmidt "Poster for the Bauhaus Exhibition in Weimar, 1923"



By Christian Franzen

Joost Schmidt was born in Wunstorf Germany on January 5th, 1893. He studied at the Grand-Ducal Saxon Academy of Fine Art in Weimar and graduated in 1914. Directly after school, Schmidt was drafted into the German army to serve in World War 1. Schmidt was captured during his term of service and held as a prisoner of war until he was released in 1918. 

Returning home he continued to pursue art at the Bauhaus School in Germany. He attended the Bauhaus as a student from 1919 until 1925 when he was offered a teaching position. Schmidt taught typography as well as printing and then went on to teaching photography. He became one of the leading forces in the development of what we now call Graphic Design.

He is most notable known for his series of posters he created for the 1923 Bauhaus Exhibition in Germany.
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Tuesday Art ATTACK- Tom LaDuke "Chain"



By Christian Franzen

Tom LaDuke is a current Los Angeles based artist. He career thus far has been very successful. You can find DaLuke's work in exhibitions across the United States, several museums, and in the possession of many notable collectors. The reference to film and motifs of contemporary society are plentiful throughout LaDuke's paintings. Using several overlapping techniques LaDuke creates a landscape where art history juxtaposes images of modern cinema. In addition, LaDuke is also a practicing sculpture. His 3D work touches more on the fragility of life and problems that we as humans face together.

I was lucky enough to hear LaDuke speak last spring on his life as a painter. I was blown away by his wok and the elegance with which he spoke of it. This semester I am very fortunate to work Professor LaDuke in my last year in art school. I am very excited for all of the knowledge that he will pass to me.
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Tuesday Art ATTACK- Carl Evers "Approaching the Horn"



By Christian Franzen

Carl Evers was born in Germany in 1907. In his teenage years he moved to London to pursue his ambitions to be an artist and he received his first job as an automotive illustrator in Sweden when he was just 16 years old.

Evers took a particular interest in painting oceanic scenes when he traveled to America by boat in 1947. Soon he began freelance illustration work for several different boating companies. These illustrations were used for nautical magazines covers across the United States. He earned the title of being one of the top maritime painters in the 20th century and with the recent release of his estate many of his works have been made available. Despite the large number of his works in circulation, Evers paintings are still highly collectible. 

 

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Tuesday Art ATTACK- Maynard Dixon "Great White Throne, (1933)



By Christian Franzen

Maynard Dixon was born on January 24th 1875 in Fresno, California. He was born into a wealthy Confederate family that had found a new home in California after the Civil War. In his youth he studied with several amateur California artists and then attended the California School of Design. After his time at school, he made his living illustrating for local newspapers and magazines.

In 1900, Dixon took a trip to Arizona and New Mexico which sparked his love for the West. He spent the following several years traveling around the Western states on horseback, painting as he went. During his western travels he also spent did a lot of illustrating for western themed books such as Hopalong Cassidy. After some small success he moved to New York for a shot while and married his first wife Constance, but soon he grew tired of the city and decided to divorce his wife and returned to the west. Upon his return he set out to paint the "honest art of the West" instead of the romanticized version so many American's knew. These themes of the West would become his trademark and his most notable works are from this period.

By 1920, Dixon was looking for a change. He married his second wife Dorthea Lange who was a notable portraitist, this had a large effect on his style. In 1925 his style looked completely different. He shifted to a more modern style with dynamic compositions and great self expression. When the Great Depression struck, Dixon painted a series of social realism paintings commenting on the state of the Nation. He and his wife both were working on a socio-political series and they decided to show them side by side, mixing photos with paintings.

Dixon divorced his second wife in 1935 and remarried in 1937. With his new wife he moved to Utah where they dwelled during most of the year. They continually revisited California and eventually built a summer home on Mount Carmel. In 1946, Maynard died in his home in Utah and then was buried atop Mount Carmel.

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Tuesday Art ATTACK- John Orlando Parry "London Street Scene, (1835)



By Christian Franzen

John Orlando Parry was born on January 3rd, 1810 in London, England. He was the son of well known Welsh Musician Bardd Alaw and studied the arts of music from a young age. Parry went on to become a very famous singer and pianist in his prime. In his free time he was known to enjoy drawing scenes of his home city of London.

He produced his most famous illustration in , London Street Scene, in 1835 which depicts a busy street in London being blasted with advertisements for various things. There is really no more information that I could find on Parry's artistic career because he is so greatly known for his musical success, but I really enjoy this little watercolor.
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Tuesday Art ATTACK-Christian Franzen and Riley Blake Art Show Recap!!

By Christian Franzen

Last Tuesday I was lucky enough to show some of my pieces at the Quicksilver Store on Main Street, Huntington Beach. It was a three man show consisting of artists Ricky Blake, Bradie Sheimkie, and myself.

This was my first time showing any of my figurative work along side my abstract pieces in a public setting so I was a little nervous to see how that would go. However, once the show got going everyone seemed to dig the works that I was showing. It was fun to hear comments about my work from regular people and see if what they took from each piece matched up with my own personal vision. Both my abstract and figurative work comes from a very similar set of interests and desires. Showing the two together made this even more apparent for myself and it seemed to be apparent to the people walking through the show as well because several viewers made comments on the overlapping characteristics of the two.

It was so exciting to see people walk up to a painting of mine and then begin a conversation concerning the painting. Initially I wasn't sure that a lot of people would show up, but I was pleasantly surprised because the show was packed most of the evening. It was such a fun show; I am excited to have more in the near future.

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Tuesday Art ATTACK- Ricky Blake and Christian Franzen Art Show Tonight


By Christian Franzen

Ricky Blake is a practicing artist from Huntington Beach, California. He attended Long Beach State University in his college days and received a BFA in Drawing and Painting. Now, Ricky splits his time between being a state wide acclaimed middle school art teacher in the Huntington Beach District and finding time for his practice of painting. Ricky is heavily involved in the community surf scene here in the Sunset Beach area. He co-runs as well as participates in the retro triple crown of surfing and creates all of the posters, t-shirts, and merchandise for the events.

Ricky also shows his work frequently throughout the year in community events such as the Sunset Beach Art Festival. I always love running into or hanging out with Ricky. He is a very insightful guy and always has a smile on his face.

Ricky and I are showing are work together along with other local artist Bradie Shemke next week Tuesday June 21st on Main Street Huntington Beach. Show starts around 6 o'clock and will be held in the Quicksilver store on Main Street; feel free to come by and check it out.
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Tuesday Art ATTACK- Michael Goldberg "Sardines (1955)


B
y Christian Franzen

Michael Goldberg was born on December 24, of 1924. He attended art school as a boy then he attended the Art Students league of New York for his collegiate schooling. Goldberg's large abstract paintings earned him a place amongst the first pre WWII New York School. However, Goldberg was drafted into the war causing him to briefly put his artistic pursuits on hold.

Returning to New York after the war, Goldberg continued where he left off amongst his abstract paintings. As New York continued to grow as the cultural center of the western world, Goldberg surrounded himself with a gang of like minded individuals such as Lee Krasner, Franz Kline, Jackson Pollock, and Willem de Kooning. Together they all created the second wave of the New York School. 

In the early 1950's Goldberg began to study with legendary painter Hans Hoffman. This time studying with Hoffman would become very influential on his work to come. Sadly, as Goldberg reached full stride in his artistic expression through his abstract action painting, the trend of color field painting and pop art began to be the style of favor. Due to this Goldberg was over looked for a large period of time and it was not until the 1970s and 80s that he was granted the fame he deserved. 
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Tuesday Art ATTACK- Snoop Dogg

 



By Christian Franzen

Snoop Dogg was born in beautiful Long Beach, California on october 20th, 1971. Snoop is most prominently known for his music career, however in recent years Snoop has turned some of his creativity in a new direction to pursue expressing himself through the art of painting. With no fundamental art instruction under his belt Snoop's work exhibits a bold avant-garde flavor linked to urban inspiration. In an interview about his work Snoop stated, "
Sometimes the music in my life don't explain exactly what I'm going through, so [painting] is another piece of the puzzle,”. Within Snoop's painting their is also a highly musical quality about them and how the colors he chooses rhythmically  hop throughout each work. If you have some free time you should check some of his work out online, it's pretty cool.

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Tuesday Art ATTACK- Bartolo di Fredi "Adoration of the Magi"



By Christian Franzen

Bartolo di Fredi was born in the year 1330 in the city of Siena, Italy. Growing up he learned to draw and paint under the apprenticeship of several masters throughout the area in which he lived. In 1355, after he had completed his training, he joined the Guild of the painters in his city of Sienna. The following year of 1356 was commissioned to paint the entire left aisle of the Principle Church of San Gimignano, which is located roughly 30 kilometers from Sienna. Along the aisle he painted frescoes that depicted various scenes of the Old Testament. This commission was completed in 1367 and was very well liked by the church that he received many more commissions from them throughout his life time. 

Bartolo di Fredi was commissioned to decorate the Cathedral of Sienna in 1367 and worked on it for several years with fellow artist Giacomo di Mino before competing it. While he was working on the Cathedral he became a rising force in city politics and found himself in a position of city government in 1372, and by 1381 he had been made a member of the cities governing council. His final commission came in 1389. Bartolo di Fredi was asked to paint and furnish an altar piece for the Cathedral of Siena. He was not able to finish the altar piece before his death in 1410. Since then the his altar piece has mysteriously disappeared never to be found. 

Sadly, in his life time di Fredi's style wasn't in line with what was the popular gothic style of decorative pieces with an out of this work feel. Rather, Bartolo di Fredi focused on depicting multiple figures in concrete believable environments. Today some of his paintings can be viewed in American public collections such as the Los Angeles County Art Musuem. 
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Tuesday Art ATTACK- "The Seductive Line: Eroticism in Early Twentieth-Century Germany and Austria" at the Los Angeles County Museum of Art

Egon Schiele, Two Female Nudes, 1918


By Christian Franzen

This last week I visited the visiting exhibit "The Seductive Line: Eroticism in Early Twentieth-Century Germany and Austria" on view at the Los Angeles County Museum of Art. The exhibit presents over fifty work on paper from several notable German and Austrian artists. The works exhibited range from circa 1910 through circa 1938; therefore displaying drawing from several different movements including German Expressionism, Jugendstil, New Objectivity, and the Vienna Secession.

This exhibit highlights the new ideas surrounding the possibility of the figure, as well as its new found sexuality in the early 20th century and its capabilities to induce lust, shame, anxiety, and disgust. While at the same time attempting to capture the essence of the figure in new a revolutionary way. Women are by far the main subject matter throughout the series of drawing. The new ways in which these artist were observing and drawing the female form over exaggerates the raw sexuality of the female nude to the point of smoldering.

Aside from that, there is an indescribable beauty in the inquisitive line shared by this collection of artists. Each artist has a distinct style that is their own; however, they all posses this powerful wandering line that dances throughout the page. In the exhibit there are several works by Egon Schiele that were beyond beautiful. There is also an amazing portrait of a woman done by Gustav Klimt that rattled my brain. It's a really great show and it's up until July 10th. I would highly recommend that you see it if you have some free time.

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Tuesday Art ATTACK- Raymond Pettibon "I Thought California Would Be Different (1989)"



By Christian Franzen

Raymond Ginn was born on June 16th, 1957 in Tucson, Arizona. Ginn was born in Arizona but raised in Hermosa Beach, California where he live with his 4 other siblings, mother, and father. After high school, Ginn attended UCLA and graduated with a degree in economics. For a short time after college he worked as a math teacher in the Los Angeles County School District. He then decided to go back to school at UCLA in order to get his BFA and completed it in 1977.

Later that same year his brother Greg Ginn founded the iconic punk rock band now known as Black Flag, also during this time Raymond changed his last name to Pettibon. In the beginnings of the band they went under the name Panic, Pettibon originally played base. However, it was soon discovered that there was an already existing band that went by the name Panic so Pettibon suggested the new name of Black Flag and designed the iconic four bars logo. The new band and logo were a hit and Pettibon's artwork began to be displayed on flyers, album covers, and merchandise. As a result he became very famous in the Southern California Punk Rock Scene.

Besides working on his own body of work he also created popular album cover for Sonic Youth's album Goo and many other album covers for bands such as Minutemen, Off!, Foo Fighters, Saccharine Trust, and many more. Pettibon works primarily in india ink on paper; sometimes he additionally uses colored pencil and or watercolor to add coloring. Pettibon finds influence in the works of William Blake, Goya, and political cartoons. Throughout the 1980's and 90's participated in many group exhibitions through out the United States and Europe and 1995 he had his first solo show at David Zwirner Gallery. More recently in 2006, Pettibon had a huge survey exhibition at the Centro de Arte Contemporaneo de Malaga in Spain and in 2014 he sold his house in Venice Beach for $1.219 million.

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Tuesday Art ATTACK- Manny Cosentino "Echo Park (2003)"


By Christian Franzen

Manny Cosentino grew up amidst a large Italian family on the upper eastside of Manhattan, in New York City. He was encouraged by his parents at a young age to pursue his interests in drawing and painting. They would supply him with all kinds of sketchbooks and drawing instruments on top of taking him to all of the world class museums throughout the city. When he was old, enough he would frequently visit the Metropolitan Museum of Art on his way home from school. Often spending hours studying and copying works from the masters.

At the age of 15, Cosentino with his family moved to Malibu, California. After living in California for a year he was admitted into the school of art at UCLA. In his time there, his studying with hyper-realist painter James Valerio had the largest impact on his approach to painting. In 1979, Cosentino received his B.F.A from UCLA. The following year Cosentino decided to further pursue his love of classical music and opera. He began voice instructions with Louise Caselotti. Cosentino studied with her for over fifteen years.

In 1983, Cosentino received his M.F.A from the UCLA graduate studies program. Since then he has exhibited all over the world and received much acclaim. In the 1990's, Cosentino began working mostly for urban landscape; frequently painting scenes throughout Los Angeles from Echo Park Lake to Sunset Blv. After receiving acclaim for his paintings of the Los Angeles area, the MTA commissioned Cosentino to do a painting of Echo Park Lake. This painting would later be used as a poster on Los Angeles buses and trains.

More recently, Cosentino has returned to depicting the figure. Learning the classical techniques of the Venetian school of painters from contemporary artist and teacher Martha Mayer Erlebacher. Using classical underpaintings, glazing, scumbling, and grisailles, Cosentino creates contemporary compositions of the figure while using the techniques of high renaissance Venetian and Flemish masters.

Today, Cosentino can still be found painting throughout Los Angeles and teaching at California State University Long Beach. In addition to being a gifted painter, Cosentino is a very insightful teacher. I have been lucky enough to study with him numerous times and he has dramatically helped me grow as an artist while increasing my appreciation for the arts. His love for painting is infectious and his vast knowledge of art history is dumbfounding. He is both an amazing painter and human.

Alpha and Omega (2005)
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Tuesday Art ATTACK- Carlo Crivelli "Madonna and Child (1480)"


By Christian Franzen

Carlo Crivelli was born in 1431 in Venice, Italy. His father was an amateur painter and taught him how to paint at a young age. As a young man he attended the Vivarini School of Painting in Venice where he studied for a brief period before leaving for Padua. There he worked with a group of artists under Francesco Squarcione. By 1457, he had gained enough recognition to acquire commissions on his own. However, his new found success was short-lived. Later that same year he was given a six month prison sentence in Padua for having an affair with a married woman. Once he was out of jail he was socially exiled within the community and decided to leave. He ended up in Dalmatia, which is now part of Croatia, a Venetian colony.

In his paintings, Crivelli did not adopt the new Renaissance style but rather he painted in the older Gothic Style. In addition he only painted in egg tempura despite the popularity of oil paints in Italy. Crivelli's paintings are always jam packed with ornate gold inlays and lavish depictions of biblical narratives. Due to his stylistic qualities, Crivelli was only able to secure steady patrons among the church. He predominately worked for Fransiscan monasteries in the North Italian area. Crivelli died In March of 1495 in Ascoli Pinceno, Italy. During his lifetime his work was rather popular among church establishments but fell out of favor after his death with the continual evolution of the Florentine style of Renaissance Painting. 
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Tuesday Art ATTACK- Jacopo Bassano "The Flight into Egypt (1545)"



By Christian Franzen

Jacopo Bassano was born in Bassano del Grappa, Italy in the year 1510. Growing up in northern Italy he was exposed to and practiced Renaissance painting in the Venetian style, which differed slightly from the style of southern Italy. He was the student of the Venetian master Veronese. During his years as an apprentice he developed a love for depicting landscape that would stay with him and characterize much of his work.
After completing his apprenticeship, Bassano opened an artists studio in the early 1530's in his home town that specialized in creating religious genre painting for the surrounding church establishments. In his early years of a practicing artist, Bassano was heavily influenced by the painter Titian. Looking at Titian's work encouraged Bassano to charge his paintings full of color pops. Interestingly, in many of Bassano's compositions during this time he places the figure of Christ deeper within the painting rather than directly in front like most all other painters of this time.

In Bassano's work, The Last Supper which was completed in 1542 you can see the artists new interest in style of Mannerism. This new interest in Mannerism launches Bassano into a whole new level within his paintings. His once more stagnant figure compositions transformed into supercharged high drama/movement paintings. This new energy paired with his intense color pops set Bassano on another level as an artist, leaps above many of his contemporaries.

Towards the end of his life Bassano began to experiment with extreme lighting within his compositions. This eventually led to him beginning to paint outside at night to get a wide variety of darks. These paintings began to get more painterly as he progressed into them; leaving a lot of the technical tightness of his early works behind. This change to an emphasis on nature lead to him abandoning painting religious figures within enclosed spaces. Bassano transitioned into painting figures in an outdoor setting under his extreme lighting scenarios. The artist died on February 14th 1592 in his town of Bassano del Grappa
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Tuesday Art ATTACK- Nicolaes Maes "Old Woman Dozing (1656)"



By Christian Franzen

Nicolaes Maes was born in January of 1638 into the golden age of Dutch painting. Maes was born into a wealthy family, and when he was of apprenticeship (around 1628) age he was sent to study with Rembrandt in Amsterdam. While studying with Rembrandt, Maes became a master at the drastic lighting which characterized his masters work. At the end of his apprenticeship his work so closely mimicked Rembrandt's that Maes actually signed his works under his teachers name and nobody could tell the difference. 

The year 1655 marked the beginning of Maes's golden years as an artist. He became primarily a portrait painter and preferably painted women engaging in house hold tasks such as cooking and particularly lace making, which was his favorite activity to paint. In these years Maes perfected and improved upon his techniques taught to him by Rembrandt so it is hard to tell the two apart in works done in this period. Adding to the confusion is the fact that Maes was known to not sign all of his paintings, leaving it somewhat ambiguous at times as to who's work was in front of you. 

In 1665 he moved to Antwerp where he then lived for three years. His move to Antwerp resulted in a complete shift in style, composition, and subject matter. Abandoning his high contrast style which he had obtained form studying with Rembrandt, in Antwerp he began working on larger scale portraiture with lower light contrast and more complex composition. The new style in this work is closely related to the works of Van Eyck. Towards the end of his life Maes moved back to Amsterdam. There he continued painting until his death in November of 1693. Today, many of his most notable works can be found in the London National Gallery.
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Wednesday Art ATTACK- Andrea del Sarto "Pietà with Saints (1524)"



By Christian Franzen

Andrea del Sarto was born in Florence July 16th in 1486. He was sent into an apprenticeship at the young age of 12 because if his noticeable artistic talents. Gian Barlie, semi notable woodcarver and painter, was his first teacher. Del Sarto studied with him for four years until he was apprentice snatched by the highly acclaimed painter of the mid Renaissance Piero di Cosimo.

After his training was complete he opened a joint studio with friend Franciabigio in Florence. Del Sarto began to blossom in his first large commission of a monochrome fresco series in the Compagna dello Scalzo in Florence. With the completion of this fresco, Del Sarto earned a stand out reputation among the painters of Florence for his ability of capturing natural poses and emotive expressions.

In 1509, the Brotherhood of the Servites hired Del Sarto to complete a series of frescos in the Basilica della Santissima Annunziata of Florence. This series depicted the live of Filippo Benizzi. Upon completion the frescos were met with much admiration and as a result the Brotherhood employed him for the next five years to create five more frescos.

The King of France ,François I, invited Del Sarto to visit France and receive employment from the King's court. However, after spending little time in France the artists wanted to return to Italy. Del Sarto tricked the King into paying him a sum of money to secure his loyalty and to return to France after a short visit to Italy. Instead of returning to France, Del Sarto used the Kings money to buy a large house in Florence upon his return home.

Now back in Florence and more popular than ever, Del Sarto was in high demand for commissions. He began taking commissions all over Florence painting sections of many famous chapels and basilicas throughout the city. This period between 1520 and 1527 legitimized Del Sarto as a iconic master of the late Renaissance and a leader into the new age of mannerism. In 1527 he began his final painting at the Chapel San Salvia. Over the years this painting has gotten a large amount of attention because all the figures in the work appear to be self portraits of Del Sarto himself. Del Sarto actually painted many self portraits over his career as an artist but alway masked them into larger works or gave the works misleading names. In his final years he served as a brief mentor to the great florentine painter Pontormo. Andrea del Sarto died in September of 1530 at the age of forty-four.
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Tuesday Art ATTACK- Cândido Portinari "Discovery of Gold"


By Christian Franzen

Cândido Portinari was born in São Paulo, Brazil in December of 1903. His mother and father had immigrated from Veneto, Italy several years before their son was born. He studied art at the Escola Nacional de Belas Artes (ENBA) in Rio de Janeiro. In 1928, Portinari was awarded a study abroad opportunity from the ENBA which enabled him to travel to Paris.

Portinari lived and studied in Paris for two years until returning home to Brazil in 1930. Once back in Brazil he became an active member in the emerging communist party. In 1947 he ran for Senator, but was forced to leave Brazil because of the persecution of Communists that was beginning to take affect in the Brazilian Government. He was able to safely return to Brazil in 1951, but was confronted with serious personal health problems. Portinari died in Rio de Janeiro in 1962 from lead poisoning which he had contracted from his paints.

Portinari became one of the most well known Latin American painters through his rigorous work ethic and the tremendous amount of work he was able to create in his lifetime. He is associated with being an influential character in the neo-realism movement that took place throughout Latin America. His work can be seen in museums and galleries all over the world. Here in the USA Portinari has pieces in the United Nations building in New York and Library of Congress in Washington DC!
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Tuesday Art ATTACK- Michael Kabotie " Kachina Still Life, 1990"



By Christian Franzen

Michael Kabotie was born on September 3rd 1942 in the small village of Shongopovi on the Hopi Reservation located in Arizona. The son of famous artist Fred Kabotie, Michael was surrounded by art since he was born. While growing up, his father taught him techniques in painting as well as Hopi Silversmithing.

In high school, Kabotie dove fully into painting enrolling in as many art classes as he could. Since he had already been painting for several years under instruction of his father, Kabotie was a major stand out and recognized for his artistic talents. After completing high school he went onto attend the Haskell Indian School in Lawrence, Kansas. During his junior year at the university he was asked to assist on a Southwest Indian Art Project at the University of Arizona. He then attended the University of Arizona for a brief amount of time.

With the completion of the Southwest Indian Art Project, Kabotie gained some exposure and was asked to host a show of his own. He was gifted a one man show at the Heard Museum in Phoenix, Arizona which turned out to be a large success. Having had such a successful show, Katobie dropped out of college and continued to pursue the path of an artist on his own terms.
In 1972-73 he was a key figure in the formation an artist group known as Artist Hopid. This new group dedicated themselves to interpreting traditional Hopi art forms and transitioning them into contemporary works.

Both Kabotie's painting and metal work take a lot from Hopi history and traditions of art making. His works can be characterized by his use of bold color, symbols, and dynamic motion. Sadly, Kabotie died in 2009 at the age of 67 from the Swine Flu at his home in Arizona.
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