The Enemy of Average! Wild Surfwear- USA Made

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Thalia Surf "Suck My Wave" Release Party This Thursday 3/2!

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Wednesday Art ATTACK- Joyce Allan "Mollusca, New Zealand"




By Christian Franzen

Joyce Allan was born on April 8th,1896 in Sydney, Australia. Being one of eight children, Allan spent a majority of her childhood reading. She particularly liked to read scientific books and journals that described the marine life in Australia. 

Allan attended private school until she entered high school at the Fort Street Girls High School. When she had free time from school she would visit the Australian Museum in Sydney and help sort shells as well as animal remains. This volunteer work earned her a job as an assistant to museum curator, Charles Hedley. Allan was responsible for keeping records on the museums collections. It was here that she began to seriously use her drawing talents and sketch the contents of her museum. These drawings gained her recognition and she began to display them side by side her academic writings on the subjects. 

While at the museum she became increasingly interested in mollusks and shelled sea life. Her drawings of these mollusks intensified with her continued studies of the subject. In 1949, she became the curator of shells at the museum. The following year she wrote and helped illustrate her book, Australian Shells. The book describes Australian mollusks in detail and remains a staple for collectors as well as the scientific community. Allan continued to work at the museum until she suffered from health complications in the mid 1950's, but still remained on of the top opinions on mollusks in Australia until her death in 1966. Her illustrations are still used by the scientific community today.
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Radical Tune Sunday- Colleen Green "Between The Lines"

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Zach Lyons. Balboa Peninsula, Ca.

Photos Jessie Stopnik
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Christian Franzen Hanging Out!

Photos Jessie Stopnik
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Art ATTACK Tuesday - Mahmoud Farshchian "Horses Ruined Village"



By Christian Franzen

Mahmoud Farshchian was born the son of a prosperous rug merchant in Isfahan, Iran in January of 1930. Through his fathers business and artistic prowess, Farshchian developed an early interest in traditional Eastern art. He attended the Fine Arts High School in Isfahan. Once he graduated, Farshchian left Iran in order to study the works of the Western masters in Europe. Farshchian's trip to Europe opened up his mind to new forms of art and he gradually began to blend the two cultures into a very pleasing "universal style". 

After he returned home to Iran from Europe, Farshchian began working at the Ministry of Art and Culture. Eventually he was promoted within the Ministry to Director of the Department of National Arts. Farshchian's new approach to painting was so revolutionary in Iran that he became the the leader of his own school of painting. His school subscribed to the traditional format of Persian Miniature painting while boosting the content and style into new uncharted waters. This "universal" style of Miniatures became popular in the Western Hemispheres of the world and through Farshchain's paintings, introduced many new eyes to Middle Eastern Art. 

Farshchian occasionally teaches at the University of Tehran's School of Fine Arts. He also has his own personal museum that was opened in 2001, The Museum of Master Mahmoud Farshchian, which is also located in Tehran. 
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Noah Foskett. Sano, Ca.

Photos Jessie Stopnik
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Radical Tune Sunday- Francis and the Lights "Friends"

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Zach Lyons. Huntington Beach, Ca.

Photos Jessie Stopnik
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Beach Bunny Bonanza: Casey, 24, Jupiter Beach Florida



Casey is a natural beauty and a 3 time runner up for Miss Southern Florida. She's hoping one day to become a veterinarian.

Illustration: Carly Jean Andrews

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Christian Franzen grabbing a donut!

Photos Jessie Stopnik
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Art ATTACK Tuesday - İbrahim Çallı "Plajda Kadınlar"

 

Ibrahim Calli was born in Denizli, Turkey in July of 1882. In his youth he showed a great deal of interest in drawing and painting during his grade school years. As he grew older his family urged him to pursue his desire to paint, and so Calli left for Istanbul in 1899 for further art education.

In Turkey, Calli had to work several jobs in order to sustain himself while he continued to paint. His spare time was filled with drawing lessons in the Great Bazaar from fellow artist Roben Efendi. 

Calli was admitted into the Fine Arts School in Istanbul in 1906 and graduated in a timely four years. Freshly free from school Calli was sent to France on a government grant. This placed him in a very hip and happening time in the French art scene. The Fauvs where hugely successful and the Braque/ Picasso duo were about to unveil analytical cubism. Despite all of these exciting advancements in art, Calli dedicated himself to studying the works of the impressionist masters. 
At the start of WWI, Calli packed his things and returned home and continued to work as a painter as well as a teacher at the Fine Arts School from which he had graduated.
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Radical Tune Sunday- Maddy Ellwanger "NighQuil"

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Photo Review 2: By Christian Franzen



re·al1 ˈrē(ə)l/

adjective 1. actually existing as a thing or occurring in fact; not imagined or supposed.

2. (of a substance or thing) not imitation or artificial; genuine
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Zach Lyons. Huntington Beach, California.

Photos Jessie Stopnik
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Noah Foskett enjoying the day!



Photos Thomas Green
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Radical Tune Sunday- Foxygen "Follow the Leader"

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Christian Franzen. Orange County, California.

Photos Jessie Stopnik
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Surfs Up By Carly Jean Andrews

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Wednesday Art ATTACK- Adam Willaerts "La Pesca"

By Christian Franzen

Adam Willaerts was a Flemish painter who was a figure in the Dutch Golden Age of Painting. He was born in London during the summer of 1577, because his parents had fled from religious persecution in their previous home of Antwerp. In 1585, his family returned to Holland and settled in the suburban area of Leiden. It was here that Willaerts began his education of the classical style of Flemish painting.


As years past Willaerts became a very accomplished etcher and painter, thereby earning him a spot in the top tear of the Dutch Golden Ages canon. He became one of the head members to the Guild of St. Luke in the town of Utrecht where he lived the later half of his life.


Willaerts paintings are very typical of the time and place in which he found himself. Most of his works depict the everyday landscapes of Hollands countryside and the people who inhabit it. However, Willaerts was known predominantly for his river scenes and his mastery of depicting lively water.


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